Gospel Figures In Art
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Summary : In viewing the great works of sacred Western art, many people find difficulty in understanding the stories and identifying the figures portrayed in them. This informative guide decodes these often-mysterious scenes and reveals a vibrant world of images from the Christian tradition for museum visitors, students, and art enthusiasts alike. Gospel Figures in Art examines depictions of stories and figures from both the New Testament's canonical gospels (the books of Matthew, Mark, Luke, and John) and the apocryphal gospels (early Christian writings excluded from the New Testament because of their unsubstantiated authorship), which served as rich sources of inspiration for medieval and Renaissance artists. Illustrated with masterpieces from many of the world's premier museums, the art works provided as visual references are carefully analyzed. Sections are devoted to the principal figures in the life of Jesus Christ-his family and the evangelists-and to the major biographical turning points: his birth and baptism, his public life, the miracles and good deeds he performed, his crucifixion, resurrection, and the events that followed. This indispensable resource makes the icons and narratives of sacred art come to life.
Summary : "This book will examine the iconography of death as well as that of its symbolic opposite - resurrection and rebirth."-Introduction.
Summary : This volume is a romp through the portrayal of love and sexuality in art. The book surveys Western artworks illustrating more or less explicitly delicate or amorous subjects.
Summary : From ancient sculptures to Renaissance paintings & modern art, this volume explores the depiction of music, musical instruments & musical performance in Western art through the ages.
Summary : This is the first monographic study of the Glajor Gospel, a 14th-century illuminated Armenian manuscript. In addition to critical studies of the iconography of the illuminations, the authors provide the history of the manuscript and the political and cultural setting in which it was produced, and the history of the monastery and school of Glajor.
Summary : Few works of art better illustrate the splendor of eleventh-century painting than the manuscript often referred to as the “precious gospels” of Bishop Bernward of Hildesheim, with its peculiar combination of sophistication and naïveté, its dramatically gesturing figures, and the saturated colors of its densely ornamented surfaces. In The Bernward Gospels, Jennifer Kingsley offers the first interpretive study of the pictorial program of this famed manuscript and considers how the gospel book conditioned contemporary and future viewers to remember the bishop. The codex constructs a complex image of a minister caring for his diocese not only through a life of service but also by means of his exceptional artistic patronage; of a bishop exercising the sacerdotal authority of his office; and of a man fundamentally preoccupied with his own salvation and desire to unite with God through both his sight and touch. Kingsley insightfully demonstrates how this prominent member of the early medieval episcopate presented his role to the saints and to the communities called upon to remember him.
Summary : Traces the history of Western art from its classical roots up to the present day, and integrates the works of each period with the history, values, and ideals that gave birth to them
Summary : The western world between 800 and 1200 witnessed a flowering of the pictorial arts which encompassed manuscript, wall, and panel painting, and the crafts of stained glass, mosaic, and embroidery--all surveyed in this lavishly illustrated account which concludes in the 12th century with an examination of international Romanesque extending from Scandinavia in the north to Jerusalem in the south. Annotation copyright by Book News, Inc., Portland, OR
Summary : GARDNER’S ART THROUGH THE AGES: THE WESTERN PERSPECTIVE, Fourteenth Edition, provides you with a comprehensive, beautifully illustrated tour of the world’s great artistic traditions, plus many great features that make it easier for you to excel in your art history course! Easy to read and understand, the latest edition of the most widely read art history book in the English language continues to evolve, incorporating new artists and art works and providing a rich cultural backdrop for each of the covered periods and geographical locations. A unique scale feature will help you better visualize the actual size of the artworks shown in the book. Within each chapter, the Framing the Era overviews, a new timeline, and the chapter-ending section entitled The Big Picture will help you review for exams. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
Summary : Innovative and lavishly illustrated, Painting the Gospel offers an indispensable contribution to conversations about African American art, theology, politics, and identity in Chicago. Kymberly N. Pinder escorts readers on an eye-opening odyssey to the murals, stained glass, and sculptures dotting the city's African American churches and neighborhoods. Moving from Chicago's oldest black Christ figure to contemporary religious street art, Pinder explores ideas like blackness in public, art for black communities, and the relationship of Afrocentric art to Black Liberation Theology. She also focuses attention on art excluded from scholarship due to racial or religious particularity. Throughout, she reflects on the myriad ways private black identities assert public and political goals through imagery. Painting the Gospel includes maps and tour itineraries that allow readers to make conceptual, historical, and geographical connections among the works.
Summary : Examining Luke's gospel through audience-oriented rhetorical criticism, this book investigates the speech of Jesus through his use of rhetorical figures. Jesus' speech in Luke's Gospel reveals Luke's message and his means of persuading his audience to accept it.
Summary : The Gospel of Mark includes a series of similar episodes in which he presents minor characters and their response to Jesus. These individuals are neither disciples nor opponents of Jesus but rather people who are drawn, in a broad sense, from the crowd. Mark presents these characters either as suppliants or as those who exemplify a proper response to Jesus and his way. The purpose of this narrative study is to explore the effect of Mark's presentation of minor characters on the reader. It traces Mark's treatment of these individuals through the narrative and shows how Mark's presentation of minor characters moves the reader toward an acceptance of the demands of following Jesus.
Summary : "The aim of this guide is to explain features and symbols in religious works of art as they relate to the history of the Church at the time these works were commissioned and created."-Introduction.